Monday, 30 November 2009
Lalitha sahasranamam - 102
Friday, 27 November 2009
Lalitha sahasranamam - 101
“As long as the evolution is in the planes of muladhara and swadhishthana, one has mental and emotional problems and sees the whole world correspondingly, but as soon as one transcends these planes and goes to manipura, all the bliss, noble views, perfect ideas and greater possibilities of human consciousness are seen. Then, naturally, whatever one thinks and does will be influenced by this higher vision.” ~ Swami Satyananda, Kundalini Tantra
The number of petals of the lotuses varies. Muladhara, Svadhishthana, Manipura, Anahata, Vishuddha and Ajna Chakras have 4, 6, 10, 12, 16, and 2 petals respectively. All the 50 Sanskrit letters are on the 50 petals. The number of petals in each Chakra is determined by the number and position of the Yoga Nadis around the Chakra. I will make it still clear. From each Chakra a particular number of Yoga Nadis crop up. The Chakra gives the appearance of a lotus with the Nadis as its petals. The sound produced by the vibrations of the Yoga Nadis is represented by the corresponding Sanskrit letter. The Chakras with their petals hang downwards when Kundalini is at the Muladhara Chakra. When it is awakened, they turn towards Brahmarandhra. They always face the side of Kundalini.
A glutton or one who is a slave of his senses with several bad habits, is unfit for the spiritual path.
“Mitaharam vina yastu yogarambham tu karayet; Nanarogo bhavettasya kinchit yogo na siddhyati
“Without observing moderation of diet, if one takes to the Yogic practices, he cannot obtain any benefit but gets various diseases” (Ghe. Sam. V-16).
Food plays a prominent place in Yoga-Sadhana. An aspirant should be very careful in the selection of articles of Sattvic nature especially in the beginning of his Sadhana period. Later on when Siddhi is attained, drastic dietetic restrictions can be removed.
Purity of food leads to purity of mind. Sattvic food helps meditation. The discipline of food is very very necessary for Yogic Sadhana. If the diet is controlled, all the other Indriyas are controlled.
“Ahara-suddhau sattva-suddhih, sattva-suddhau dhruva smritih; Smriti-lambhe sarva-granthinam viprarnokshah—By the purity of food follows the purification of the inner nature, by the purification of the nature, memory becomes firm and on strengthening the memory, follows the loosening of all ties and the wise get Moksha thereby.”
Charu: Boil half a seer of milk along with some boiled rice, ghee and sugar. This is an excellent food for Yogins. This is for the day-time. For the night, half a seer of milk will do.
Milk should not be too much boiled. It should be removed from the fire as soon as the boiling point is reached. Too much boiling destroys the nutritious principles and vitamins and renders it quite useless. This is an ideal food for Sadhakas. Milk is a perfect food by itself.
A fruit diet exercises a benign influence on the constitution. This is a natural form of diet. Fruits are very great energy-producers. Fruits and milk diet help concentration and easy mental focussing. Barley, wheat, milk and ghee promote longevity and increase power and strength. Fruit-juice and the water wherein sugar-candy is dissolved, are very good beverages. Butter mixed with sugar-candy, and almonds soaked in water can be taken. These will cool the system.
Rajasic food distracts the mind. It excites passion. Give up salt. It excites passion and emotion. Giving up of salt helps in controlling the tongue and thereby the mind and in developing will-power also. Snake-bite and scorpion-stings will have no influence on a man who has given up salt. Onions and garlic are worse than meat.
Live a natural life. Take simple food that is agreeable. You should have your own menu to suit your constitution. You are yourself the best judge to select a Sattvic diet.
The proficient in Yoga should abandon articles of food detrimental to the practice of Yoga. During intense Sadhana, milk (and ghee also) is ordained.
I have given above several articles of Sattvic nature. That does not mean that you should take all. You will have to select a few things that are easily available and suitable to you. Milk is the best food for Yogins. But even a small quantity of milk is harmful for some and may not agree with all constitutions. If one form of diet is not suitable or if you feel constipated, change the diet and try some other Sattvic articles. This is Yukti.
In the matter of food and drinks you should be a master. You should not have the least craving or sense-hankering for any particular food. You must not become a slave to any particular object.
Tuesday, 24 November 2009
Lalitha sahasranamam - 100
Poola gutthulu enni pooja lo unchina
Even if you offer bunches of flowers to the Lord, he will not be happy or accept them. If you offer the lotus of the heart, he will happily and eagerly accept it. You will benefit by listening to Viswayogi’s word.
Pattu patti viduva(2), palakadu raa Gurudu
Guru will not respond to you if you let go of him after holding him. He will not respond at all if you don’t hold on to his feet. If you keep holding on to his he has no choice but to give you his blessings.
One person went to an elder and asked him to get him a job. The elder said, “Ok, I will see.” Then next morning when the elder was opening the gate for the newspaper this person was waiting outside and asked him “What about my job?” The elderly man again said, “I will see.” The elderly man went to the market and he finds the man who wanted a job again. Again the man reminds the elder about the job. Now this influential man knows that the man will not leave him till he gets him a job. So he gives him a job. Similarly a Guru also tests you many times in different ways. If you don’t leave him he blesses you and takes you to a higher level. After all even to get your little kid admitted in KG you have to meet the principal, have interviews and give donations etc. So to get Guru’s grace you have to stand the tests he gives to elevate your status.In the heart is the Hrid Grandhi also known as Vishnu grandhi or universal will power or Lakshmi. Brahma grandhi or Saraswati is there in the brain in the form of knowledge so it is called the power of knowledge.Lord Brahma have four faces , because Saraswati is in four forms namely Para near the navel, Paschyanthi in the heart, Madhyama in the vocal cord and Vaikhari on the lips. What I am talking now begins from the navel and comes out of the lips. The yogis and Siddhapurushas also have a fifth power called apara Shakti.Brahma’s wife is in form of Vaak Devi. Who is Brahma? Where is he? In what form is he? How do we find him? Whatever is pervading the universe is Brahma. What is the proof? The proof is “Satyam Gyanam Anantam Brahma”. The essence of all the scriptures is :
All of you know that the spinal cord obeys the orders given by the brain. The brain must obey the order of the heart. But now a days we have lost the connection between the heart and the brain so we see all the problems. For the explosion of the Hrid grandhi, Brahma grandhi and Atma grandhi it takes 21 years of practice. For Hrid grandhi explosion itself it takes 12 years. If you have grace of Guru, Sadguru and get initiated by him and follow what he says then after 12 years explosion of the Hrid grandhi takes place. Saadhana is nothing but effort which you put in to achieve something. If you want to become a doctor you go to different coaching classes, study till 5:00 AM in the morning. Even that is saadhana. Explosion of Hrid grandhi is like lighting a flower pot(Diwali fire cracker). The explosion from the Hrid grandhi touches the brain. This is the starting point. Just as when you take a grinding stone and do grinding it produces vibrations, similarly explosion of Hrid grandhi vibrates the grandhi in the brain. To untie the knot it will take you 6 years. Once the explosion of Brahma grandhi takes place you are blessed with infinite knowledge. One gets knowledge of all the fields and can talk to people from any profession very competently. There are many examples some of which are poet Kalidaasa, yogis and Siddhapurushas. After this it has to move to the spinal cord. The explosion of Brahma grandhi makes the Ida and Pingala nadis move and it awakens the sushmanna nadi. There are six energy centers in the body and the sushmanna comes up without our knowledge. For Rudra grandhi explosion it takes 3 years. So in 21 years all the three Shaktis have merged i.e. Brahma, Vishnu and Maheshwara have merged and the resultant form is what we call Dattatreya or Datta Shakti. Yoga means union of the individual power and the universal power. Your mind and the universal mind unite. Once there is no difference between your personal mind and the universal mind the power keeps flowing through you. Once you are connected to the universal source your power will not reduce how much ever you use it. Those who have united the three Shaktis(powers) namely Iccha Shakti, Gyana Shakti and Kriya Shakti have made direct connection with the universal power. The aim of human life is not to leave the body and go away but while you have the body you should make connection with the universal source and make yourself a good instrument so that people around you will be benefited. That is why it is said “Sarira madhyam khalu dharma saadhanam” meaning that this body is just an instrument for us to some good work on the earth. So remember that you should not neglect this body at any moment, at any time. “Dehame devalayam, hridayame daiva peetham” – Body is the temple and the heart is the altar of God. So we should keep the body pure and sacred as it is the seat of God. You should aim to have connection between universal power and yourself and not leave the body. A yogi after he dies becomes immortal or eternal. How is this possible? What is dying? Death is going away from the body. Once you separate the “I” from the body they take the body and cremate it. What a yogi does is that he cuts the connection between himself and the body. That means he is dead. Once he is disconnects Himself and the body he is establishing a connection between himself and the universal power. That is how he becomes eternal.
Do you know who a Parama Yogi is? one who is eternal after passing of so many ages? Hanuman is a Parama Yogi.
Yatra yatra raghunatha kirtanam; Tatra tatra kritha masthakanjalim;Bhaspavaari paripurna lochanam; Maarutim namata raakshasanthakam .
During the Mahabharata war, Lord Krishna told Arjuna to get up and fight the enemy. Arjuna was dejected and said, “I can’t kill my grandfathers, uncles, teachers and friends”. Lord Krishna tells Arjuna that he has already killed each and everyone of them. All Arjuna had to do was to lift the bow and physically kill them and complete the formality. Once the astral body is killed the physical body falls down. Krishna has done everything using Arjuna as an instrument. Lord Krishna preached the Bhagwad Gita for us. We usually think that for a discourse there should be at least 20, 30 or 50 people. But Lord Krishna didn’t think like that. He just caught hold of Arjuna in the middle of the battle field and non stop he sang 18 chapters. Arjuna was the only listener. Arjuna didn’t have an option but to listen. During the discourse Lord Krishna told Arjuna about Karma yoga, Gyana yoga and Bhakti yoga the different ways to reach the Lord. Arjuna was confused and said, “ O Krishna, you have told me so many paths but tell me which one I should follow?” Lord Krishna told Arjuna “All the paths were good you can follow any one of them, but “Yogivi ka” – Be a yogi. Which means connect your mind with my mind at all times and then you can follow any path you want.” If ones mind is connected with God or the Universal mind there is no reason for fear. It is like an airplane connected to the control tower. As long as the airplane has a connection with the control tower, there is no reason for fear. Once it loses its connection, then we have to worry about its whereabouts. Similarly as long as you have connection with Guru or God, you have no reason to fear, since he holds the remote control to protect you. So wherever you are, whether in India or America, Australia or the North Pole or even in outer space, if you keep connection with Guru you have faith in you will be happy and you will get his blessings. You need not physically cling to your Guru. Wherever you are do your duty and just have connection with him. If I want to listen to BBC I need not be in London. I can be anywhere and tune in. If I want to hear the Voice of America, I need not be in America. If I tune in I can hear it from anywhere. If you want to hear the voice of the universe you can be anywhere in the universe and you can tune in. That is Viswa vani. That is the divine message. That is the Goddess of Speech. That is Iccha Shakti(power of will). That is universal power of action. The power of will, power of knowledge and power of action are not different. It is a gradual transformation of the same power. Just like a seed, plant and tree. Once will power is established it is translated into knowledge for planning then it transforms into action. If you have the grace of Guru you don’t have any reason to worry and everything will come to you automatically.we all know Sri Ramakrishna Paramahamsa and Swami Vivekananda. Ramakrishna Paramahamsa’s disciple was Naren and he is known as Swami Vivekananda. Did he do any Saadhana? He used to ask everyone he saw if they had seen God or had conversation with God. He went to Ramakrishna Paramahamsa and asked the same question. Ramakrishna Paramahamsa told him, “I talk to Mother Goddess just as I am talking to you.” He also said, “What took you so long? I have been waiting for you for so long.” Vivekanada thought that Ramakrishna Paramahamsa was really crazy. Initially Vivekananda did not have devotion for Ramakrishna Paramahamsa nor did he treat him as his Guru. But Ramakrishna Paramahamsa got cosmic orders that he should transmit cosmic energy to Vivekananda and spread his message of Sanaatana Dharma all over the world through Swami Vivekananda. He knew that he was the disciple he was waiting for. Ramakrishna Paramahamsa was a great saint. He touched his disciple while he himself went through all the universe and all power paths, reached his goal and then came back and transferred his power to his Disciple. He did this at three different times. Then he said to Swami Vivekananda, “You have become rich and I have become a beggar.” This is a proof of a Guru by mere touch transferring his power to his disciple. There are instances in the bible where Christ has cured diseases of many by touch. These are not miracles but the real truth. It is natural to them and it is a miracle for us.
Sunday, 22 November 2009
Lalitha sahasranamam - 99
The process of arousing Kundalini.First acquaint yourself with Mooladhara and then perform practices. If - some differences are experienced as compared to the known knowledge, report them to the Master. The practice is to be repeated many times.i) Sit in the posture of adepts and throw out the apana and fill in fresh air by Pranayam. Now sit calmly and try to visuilize in the Mooladhara with the help of inner vision.ii) Activate all the tatwas and do the japa of Lam, Bam, Ram, Yam, Ham 21times. Pay repeated obeisance to Airavat elephant, Lord Ganesha, Brahma, Sun. Moon and Fire.iii) Remember the Master and contemplate on the mother Peetambara sitting under the feet of mother Gayatri. Involve the effulgent mother fire and concentrate close to the tail of the mother Kundalini.iv) Give tankore with mental Yoga on the tail only once.v) As soon as tankore is given the Mother stands up and the mouth opens. Quickly attempt to put the sun dot into the open mouth. This sun spot is situated towards the Rightg side of the mouth and is mobile -vi) As soon as the sun spot is kept in the mouth the light of the kundalini increase. Now the mother is ready to move.vii) Take her up reciting AUM. It is necessary to halt at each chakra so that the Kundalini can burn away the covering of impurities.Repeat this procedure many times and correct your possible mistakes. After many mothers of this practice of kundalini arousing the Mooladhara will become clearly visible along with many colours. The path of the mother Kundalini becomes clear for movement and sushumna becomes visible along with it's internal nadi the Brahma Nadi.Practice for visualizing the seed alphabets :In Mooladhara the seed alphabets Vam, Sham, Sham and Sam are situated on the petals. They automatically become visible when prana flows through the related nadies. Therefore it is necessary to work very hard so that the Prana may flow in these nadies. Tankore with mental yoga along with stabilization of the modifications of the Manas and the practice of viewing the centre of the eyebrows should be done. In the beginning the letters appear dim, the letters manifest in pale, green or white colour. When the lotus is visible along with ;the chakars, and seeds then only one should understand that there is the complete flow of pure Pranas.
Thursday, 19 November 2009
lalitha sahasranamam - 98
Although this verse describes the abode of Sridevi, contemplation of Sridevi's gross form is also intended here as per the Samayachara tradition. This verse also indicates the worship of Srichakra in diverse ways. A succinct portrayal of Sridevi's abode is furnished by this verse.
In the middle of the ocean of nectar, there is an isle of precious gems of infinite variety. All round the outskirts of this island are rows of celestial, wish-granting trees – Kalpaka, Santana, Harichandana, Mandara and Parijata trees. There is a palatial mansion inside these groves of celestial trees. The mansion is built of celestial gems called Chintamani, which have the power to grant all desires. All round the mansion, there are pleasure gardens of Kadamba trees. Inside this mansion, in the central hall, there is a regal seat (Simhasana), which has for its four legs Brahma, Vishnu, Rudra and Ishwara. Over this cot is spread a mattress, which is Paramashiva. On this couch sits the supreme Parabrahman Kameshwara on whose lap is seated Sri Mahatripurasundari, the great queen of Parabrahman, in the supremely beautiful form described in the previous verse.
Srimadacharya says that those who worship Amba thus, as in this abode, contemplating her form thus as per the Samayachara mode, are really blessed as they attain infinite bliss thereby.
The description of Sridevi's abode as found in this verse, mentioned in Samayachara texts, is also found in various other works of Srimadacharya like Tripurasundari Vedapada Stava (7,8&9) and Mantramatrikapushpamalastava (1). Sri Gaudapadacharya's Subhagodaya, which deals mainly with Samayachara worship of Sridevi also describes Sridevi's abode in similar lines. In the Divyamangala Dhyana chapter of the Rajarajeshwari Tantra of Rudrayamala, the abode of Mahatripurasundari in the Manidwipa in the midst of the ocean of nectar is described at length, furnishing the extent of the ocean, the island etc. in Yojanas (1 yojana is approximately equal to 8 miles). The Bhairavayamala also describes the Panchabrahma seat of Sridevi. Srimadacharya also describes the Panchabrahma seat in his Mantramatrika Pushpamala (3) and Tripurasundari Veda Pada Stava.
According to Puranas like Brahmanda Purana etc., Brahma, Vishnu, Rudra and Ishwara are Devi's attendants. They assume the form of the four legs of the couch on which Sridevi is seated – Brahma being the southeast leg, Vishnu the southwest, Rudra the northwest and Ishwara the northeast leg. Paramashiva, the Nirguna Parabrahman, is the silent spectator of the nature of Chit (consciousness) and ananda (bliss). The Devi is meditated as inseparable Paramashiva – a welling of Consciousness and Bliss (Chidanandalahari).
This form of worship described in this verse is followed by the Samaya school of Srividya Upasakas as distinguished from the Kaula School. The Samayachara and Kaula are understood as referring to internal and external worship respectively. Followers of Samayachara worship Mahatripurasundari mentally and internally, meditating on some assumed form or Srichakra, the body or mind itself constituting the Srichakra on the vacuum in the center of the heart called `Daharakasha'. This kind of worship is mainly the union of Shakti with Shiva and worshipping Shakti and Shiva in their inseparable creationistic aspect.
The essence of Samayachara worship is the union of chit Shakti with the Brahman. Shiva is Samaya and Sridevi is Samayaa. The equation or inter-similarity of Shiva and Shakti is held as five-fold. They are:
1. Adhishthana Samya – similarity in abode.
2. Anushthana Samya – oneness in indulgence of activities like creation etc.
3. Avastha Samya – equality in state such as Lasya, Tandava etc.
4. Nama Samya – similarity in names such as Shiva and Shivaa, Samaya and Samayaa etc.
5. Rupasamya – similarity in form, color etc., such as three eyes, red color etc., in both.
A vivid account of Samayachara is described in Shubhagama Panchaka. After initiation by a Sampradayavit Guru, the Sadhaka gains some progress in the six fold (or four fold) unions. He then undergoes a special kind of Diksha Samskara called Mahavedha on the ninth day at the end of the Sharannavaratri. Sri Mahatripurasundari manifests Herself to him in the Manipooraka Chakra after rising from the Moolaadhaara. The devotee worships Sridevi mentally with all kinds of offerings, bedecks her with jewels made of precious gems and thence leads Her to the Anahata Chakra. Here again, the devotee worships Sridevi mentally with sandal paste, flowers, incense, offerings, betels and slices of nut etc. Thereafter, Sridevi is conducted to the Visuddhi Chakra. Here she is bedecked with jewels full of gems of the nature of the Kalas of the moon (Chandrakala). Thence she is lead to the Ajna Chakra where the devotee offers the burning of camphor (Nirajana). Thence Sridevi ascends to the thousand-petalled lotus (Sahasrara) in the center of the upper part of the head and unites with Shiva in the Chit Chandra mandala - the region of eternal bliss. The devotee draws a curtain mentally and waits, in an adjacent apartment, the Devi's return to Moolaadhaara. This forms a brief outline of Samayachara mode of worship.
The abode of Devi is described as per the concept of Samayachara in Rudrayamala as follows:
sudhAbdhau nandanodyAne ratnamaNDapamadhyagAmbAlArkamaNDalAbhAsAM chaturbAhuM trilochanAm pAshA~NkushasharAMschApaM dhArayantIM shivAM shriyam dhyAtvA cha hR^idgataM chakraM vratastaH parameshwarIm pUrvokta dhyAnayogena chintayan japamAcharet
From the above, it will be seen that the Samaya worship requires a very high degree of concentration of the mind and a strict control over the senses, as in this process, the entire worship happens in Daharakasha. The meditation of Sridevi in the form of Srichakra has to be done in the shapeless Akasha or space, which is known as `Viyadchakra', `Viyat' signifying Akasha or space. In the Kaula mode of worship, the Srichakra is inscribed on planks or on the bark of a tree called Bhurja or on a piece of white cloth or on plates of gold, silver or Panchaloha. The devotee uses his limbs and other external materials for worship. Great care and personal discipline are needed in this mode of worship. Interpreted in terms of the external Srichakra of the Kaulas, the Sudhasindhu or the ocean of nectar is the Bindusthana in the center of the Srichakra over the four Shiva Chakras (triangles with apex upward constituting Shiva) and below the five Shakti Chakras (triangles with apex downward being the embodiment of Devi). A detailed explanation of these is found in the eleventh Shloka of Saundaryalahari.The five Shakti Chakras are the celestial trees, the Kadamba garden and the Mani Mantapa. When the physical body itself is meditated upon as Srichakra, these parts of Amba's abode are represented by different physical parts of the body. Either way, the contemplation and worship are external.
Kameshwara Suri, the author of the Arunamodini commentary traces in this verse a reference to Anandalahari, the group of the first forty-one verses of *Saundaryalahari.* The learned commentator gives the following connotations for the words comprising the verse as follows:
Sudhasindhu – from the Himalayas, the abode of white glaciers to the southern ocean; Suravitapivati – full of pilgrim centers; Manidwipa – places fit for meditation; Nipopavanavati – surrounded by Kadamba trees; Chintamani Grihe – temples studded with Chintamani gems; shivakare manche – in Mount Kailasa, white as crystal resembling Shiva in aspect; Paramashivaparyankanilayam – blessed as being placed on the lap of the divine couple, Parvati and Parameshwara; Chidanandalaharim – the Stotra by name Anandalahari describing the pure chit aspect – Sridevi.
The story is that Srimadacharya, the author of this glorious hymn, after finishing it, took it all the way to Kailasa, there to lay it at the feet of the divine couple and receive their approbation, but on reaching Kailasa, saw the couple being praised with the stanzas of the self-same Anandalahari and in consequence drenched in the Bliss of Supreme Consciousness. He also interprets the verse as referring to different parts of the body with the heart as the center of worship (Bindu).
Devotees worshipping Sridevi in the vacuum in the middle of the heart between the three lower and the three higher psychic centers (Chakras), as indicated in this verse and the preceding verse of *Saundaryalahari* are, according to Srimadacharya, the few fortunate ones, because their ideal of liberation has come within their easy reach. The union of Shiva and Shakti (Bindu and nada) is indicated in the third line of the Shloka by the phrase `paramashiva parya~Nka nilayaaM'. The Kameshwari Bija and the Bija of Sadashiva Mahapadmasana are also indicated in this verse. Anandagiri, the celebrated commentator, interprets this verse as pointing to Kundalini Shakti. The seat of Sri Mahatripurasundari is actually Omkara Peetha since Brahma, Vishnu, Rudra and Ishwara, representing a, u, m and Ardha Matra, together form th primordial sound `OM'.
Those rare souls who, through worship, internal as well as external, of Sridevi, their affinity to Sri Panchadashakshari, and the pure life that they lead during their last incarnate existence in this mundane world, are really blessed, for they have discharged the duties incumbent upon human beings, preparatory to their being merged in the transcendent Existence, Consciousness and Bliss (Sat-Chit-Ananda). The mode of worship indicated in this verse is of the form of Sridevi, as abiding in her royal mansion of Srichakra, dealing as it does with the special environment in which Devi has to be meditated upon, herself assuming the special form depicted in the previous stanza, which only amplifies what is here indicated about Sridevi. The description giver here closely follows the account given in the Bhairavayamala, which represents Sridevi as abiding for ever as the Kundalini Shakti, piercing the solar region of the Dahara, covering the Brahmarandhra inside the Sahasrara, liquefying the lunar region, and delighting in the flood of nectar flowing therefrom. The Kundalini Shakti, abiding in the Kulapatha – Sushumna Nadi, leaves it to reach the Sahasrara and, after filling the entire system of Nadis with the nectar above referred to (Sudhasindhu), returns to her abode.
This stanza is capable of yet another interpretation which is as follows:
Blessed are the few that adore Thee, the Chidanandalahari, who for ever abides in the Anahata Chakra (heart lotus), situated midway between the Moolaadhaara on the one side and the Moon in the crest ever filling the system of Nadis with nectar (Sahasrara Chandra mandala), on the other end (i.e. between the root Chakra and the crown Chakra), adorable because it embraces in its form all the gods and goddesses and contains the substitutes for the several reputed places of pilgrimage such as the Srishaila, in the crest etc. (or the Anahata Chakra, the seat of thought, dependent on the atman and hence lustrous), well protected by the ten vital airs, Prana and others (or the deities presiding over the ten sense organs), studded with Moolaadhaara and other centers of Energy, radiant like so many isles of gems and encasing within itself the Jivatman, which is as expansive as a tree from top to bottom.
The Srichakra with forty-three triangles in it, is said to be the very residence or even the very body or form of Shiva and Shakti. As the Baindava Sthana has all the other parts of the Srichakra involved in it, it has special importance. It is specially called the abode of Amba and this is main object of adoration in the Samayachara School.
As per the Puranas, Sri Lalita has two residences. One is in what is called the Brahmanda and on the central peak of Mount Meru round which all planets revolve. On the three other peaks of Meru are abodes of Brahma, Vishnu and Rudra. Sridevi's world, it is said, is in the center of these three peaks, on the reigning peak so to speak. This is referred to in the name `Sumerumadhyashringasthaa' occurring in the Rahasya Sahasranama of Sri Lalita. Amba's second is outside the Brahmanda. She has created a vast ocean of Amrita or ambrosia and she resides in the midst of it on an island. The name `Sudhasagaramadhyastha' refers to this abode. This is the world created by Sridevi herself. The celestial sculptor Vishwakarma built the one on the Meru's central peak, with the power granted to him by Amba. Amba appeared once to slay Bhandasura, a very powerful enemy of the celestials. At once the celestials exclaimed, "She is indeed our queen Sri Rajarajeshwari!" Then they performed her coronation and Vishwakarma built a palace for the Supreme Queen with many fortresses on the Meru peak, called Sripura or Srinagara. However, what Srimadacharya describes here is the second abode in the ocean of ambrosia.
Whether it is on the central Meru peak or in the ocean of ambrosia, there is no difference between the two abodes of Amba. From the outermost fortress to the palace proper – where she is seated in regal splendor – the Prakaras, lakes, gardens, the entourages are the same. Twenty-five fortresses and Prakaras encircle this capital of hers, called Srinagara or Sripura. The fortresses are built of metals ranging from iron to gold and of the nine gems. Then, proceeding further in degrees of subtlety, there are the fortresses of the mind, of intelligence, of ego. Lastly, there are strongholds built each of the radiance of the sun, the radiance of the moon and of the luster of Manmatha. Between the fortresses there are forests, parks of divine trees and streams and canals. When going past all these, in the twenty-fifth Aavarana, is the Mahapadmavana – a canal full of lotuses. It is like a moat and in it is Amba's palace, built not of bricks but Chintamani gems. The queen residing in this palace is Sri Rajarajeshwari. As mentioned earlier, the four legs and the seat of her throne are the Pancha Brahmas. From this throne, seated on the lap of Sri Kameshwara, she holds court. When we view her not as one in a position of authority, not as a queen, but as one embodying the Sringara that turned the Brahman into sport, she gives Darshan not in the open royal assembly, but in her inner apartment, all by herself. To obtain that Darshan, we must first eradicate our senses totally. To qualify for this, we must grasp the inner meaning of Sringara, and we must indeed have the maturity to become immersed in this meaning.
In Sripura, on the central peak of Meru, she is the great queen conducting her royal assembly and she is higher than all the celestials. In the center of the ocean of the ambrosia, she is the divine Mother, the consort of Kameshwara, for seekers belonging to a higher plane. She is Mother and Father in one and her blessings will be such as to take us so far as to bring about our union as children with this Mother-Father entity. We said that Amba resides in Chintamani palace. `Chinta' means `thought'. If all our thoughts were made into gems by thinking of Amba alone and if we built a temple to her with these gems, it would be the real Chintamani palace. It is as a way to it, for Amba to dwell in us, that we first meditate on her as the one who dwells outside us. In the end, her residence inside us must be realized. Though Amba has two residences detailed above, her favorite is the third, the heart of her devotee. Abhirami Bhattar says in his songs: "Is your temple here or there? It is in my heart! She, who is One, unfolded into many and pervaded the entire world. then, when the world became extinct, she became the form o the atman. Such a one, such a Great One, dwells somehow in my tiny heart".
The Acharya does not call the one seated on the Paryanka (the bed that is the lap of Kameshwara) as Kameshwari, Rajarajeshwari or Sringarasundari. He elevates her to the heights of Jnana by giving her the name `Chidanandalahari'. Even though Amba is with the Lord as Sringara personified, what is denoted here is Atma Sringara. It is bliss of love, the cascading joy of the consciousness that is not separated from the Truth. Acharya also indicates that only a few fortunate souls worship her. Why only a "few"? Are there not many people who perform Pooja to Devi and do thousands of Japa? Their number is increasing day by day. But mumbling some words and burning camphor, would that be Pooja in the true sense? We must visualize the form of Amba described here and have it imprinted in our hearts. It is generally believed that going to the world of our chosen deity is Salokya Moksha. Even better is to think that the place where we live, wherever it is, is itself the world of our chosen deity. Beyond Salokyam is the Samipya Moksha i.e. to go near or close to our chosen deity. To proceed from the shores of the ocean of ambrosia via the forest, park and so on to Amba's bedstead in her palace is Samipyam. Further to Salokyam and Samipyam is Sarupyam. Just as the worm constantly thinking of the wasp becomes a wasp, if we keep contemplating on Amba's form, +we too will become that form. The ultimate in liberation is Sayujya, becoming one with our chosen deity. That is, apart from being identical in form with the deity, we become one with the deity, become the same truth as the deity. It is this Truth that Acharya calls `Chidanandalahari', the flow of consciousness that is the infinite bliss. Becoming completely dissolved in this Chidanandalahari i.e. Amba is Sayujya. Reaching Amba's world, beholding her form, becoming dissolved in the Reality that she is: let these happen in due time. But now itself, we must mentally attune ourselves to these states.
Monday, 16 November 2009
Lalitha sahasranamam - 97
97. SAMAYANTHASTHA
She who is within the mental worship of Shiva and Shakthi.
Worship of Bhagavan (the Lord or God) is one of the two central themes of Sanatana dharma, the other being righteousness. It encompasses a wide variety of activities ranging from direct prayer to rituals to dance and drama. It involves invoking higher forces to assist in spiritual and material progress and is simultaneously both a science and an art. People perform worship to achieve some specific end or to integrate the body, the mind and the spirit in order to help the performer evolve into a higher being. Because there are so many varying types of worship and ways of worshiping the Lord, they are classified into different categories and types based on the cause of inspiration, approach to worship, and/or the method of worship.
Worship involves invoking the presence of the Divine and assumes that Bhagavan can be perceived in diverse ways and approaches. Bhagavan can be seen as personal or impersonal, human or not, etc. He can be approached with awe, reverence, joy, affection, or even love or friendship through puja, yagna, bhajan, or simply longing. Worship can be performed individually, as a family or group, and/or as a community. It can be performed at any time and in any place. There is no requirement of a certain time or place -- however, certain times and places are considered more auspicious and conducive to such activities than others.
Worship is a token of affection towards divinity. The divine is the closest and the most private relative of man, and this is a way to express one's gratitude to Bhagavan.
Just in the way a parent nurtures the child irrespective of whether the child says "thanks" or kisses the parent, Bhagavan still takes care of our evolution. But just the way a child spending a good amount of time in the parent's lap every day never starves for anything, the devotee who sits in the lap of the divine consciousness never starves for anything. The parent is already there to take care of us, so there is no need to starve for anything as such. But all the difference is in knowing that the parent is there. The child who thinks he is not getting something he wants, and a child who thinks he gets everything from the parent, do not differ in their success - the parent causes their success in either case. They differ however, only in the quality of their happiness, their confidence, their craving for desires. One who rests his desires on Bhagavan alone has nothing to desire - because he knows he already has everything.
The act of worshiping Bhagavan in order to obtain something is like when a child cajoles his mother with kisses with the intent of getting something. The act for the child is enjoyable regardless of the purpose. While the bliss is not directly experienced, because the focus is on the object of desire, it still exists. Through a process of evolution the worshiper slowly moves his attention from the object of desire to the experience of love. Then the insignificance of the desire is realized; the worshiper recognizes that the happiness resulting from the object of desire is infinitesimal in comparison to the happiness in the mother's love. And he then seeks to sit in the mother's lap and does not seek anything else. This is what happens when one keeps worshiping - sakama (worship with desire) becomes nishkama (worship without desire) over time. One does not have to suppress desires, but one has to worship with sincerity even though seeking something.
Worship (Puja) of Bhagavaan is basically of two types ; Puja of the form of self and of the external form. 1) To perform Puja by seeing the Bhagavaan from one's mental eye is Atma Linga Puja (Self form - Worship). This is termed as Dhyaana (Meditation), or as Tapas ( Tapa Alochane ) by constant thinking; as Mental worship and as Internal Worship. 2) On the other hand, to perform puja of external forms is known as Baahya Linga Puja. Idols, (Representative forms) sacrificial fire and Rekha Sketches/graphics are the main forms externally prescribed for worship. To (visualize) see and worship Paramaatma in these forms is known as Bahya Linga Puja / Bahiranga Puja.BhagavataPurana says as under:-
"archadow hR^idaye va api yatha labdhopacharakaih dravyakshiti- aatmalingani nispadya prokshya chasanam" This means: - Through the Idols (pratima) as external forms or using own self as the internal form, HE should be worshiped as per one's capacity. These forms are mainly three types. They are Dravyalinga, Kshitilinga and Atmalinga. First two are meant for external worship. The third one is for internal worship. Atmalinga is that form of God which is seen during the meditation in one's mind ; This form of God is known as Vaasanaa Rupa (form of Mental Impression) as stated in the Shruti : Yadidamupaasate. `Materialistic form is known as Dravyalinga. This may be the idol made of either metal or stone or earth or wood. Even the Homagni ie fire used in Homa is a `Material form'. Plain floor or plane earth (Bhoomi) is called Kshitilinga. The floor decorated with Mandalas is called Sthandila. (Mandala are Sketches drawn using lines as prescribed). Acharya Madhwa's Tantra-saara-sangraha attaches much significance for the worship in Kshitilinga.
Poojyashcha Bhagavan nityam chakraabjaadikamandale.
(God should be worshipped in Chakrabja and the like every day).This Mandala worship has some more important aspects. If this Mandala is drawn on the plain floor it is Kshitilinga. Alternatively, if drawn carved or etched on stone or metal it is Dravyalinga.If, on the other hand, it is drawn imaginary on the canvas of our own self' using mind as finger or visualized on the screen of our mind, then it becomes Atmalinga. Thus, the Chakrabja Mandala worship encompasses all the types of worship. viz. Pujas in Dravyalinga, Kshitilinga & Atmalinga. ie. both external form and internal form of Puja. This greatness of Chakraabja Mandala Puja is depicted in the second part of the above Tantra-saara-sangraha Shloka as reproduced below.
Achale hridaye vaa api chale vaa kevalasthale. - (1-44)
Let us explain this analytically as below. 1 a) Achale Hridaye - One method is to worship HIM in the heart of (at of the centre of) the Chakrabja engraved in the firmly static immovable stone (shila). This type comes under the category of Dravya Linga Puja.b) Chale api vaa hridaye - To Engrave or draw the Chakrabja over the surface of a movable material like a sheet of a metal or wooden plank etc, and worship the Bhagavaan in it.This is another way that also falls under the category of Dravya Linga Puja. But the category mentioned at (a) is Achala Dravya Linga (immovable) and that at (b) here is Chala (movable) Dravya Linga.2. Kevalsthale vaa - To draw the Chakrabja Mandala simply over a sacred place (sthala / sthandila) using specified powders (Rangoli/Churna) and worship The Bhagavan there. This falls under the Kshiti Linga Puja category.
Thus, the above three ( 1 (a), (b) & 2) are Bahya Linga Puja varieties.
Similarly there are three varieties [ 3 (a), 3 (b), & 3 (c)] in the Atmaling Puja.
3. (a) Achale hridaye - Chakrabja Mandala is drawn mentally on the canvas of one's own mind and held firmly there to meditate upon the Bhagavan in it. This is meditation / dhyana.
3. (b) Chale api vaa - When it becomes not possible to hold constantly or steadily the Chakrabja Mandala figure in the mind due to the volatality or wavering nature of mind, repeat again & again visualising Chakrabja figure there and go on recollecting it while continuing meditation. This process is known as DhaaraNa which means holding, preserving or retaining the memory (of the Bhagavan).
3. (c) Kevalasthale vaa - In case the above two mental situations / conditions / status become not possible to achieve, this third method can be tried. Over the plain floor before / in front of you, draw Chakrabja lines using your mental fingers (by imagination) and memorise the Bhagavan there.
(It can be noticed here that the half line Achale ... alone gives the idea of all the six varieties (3+3) of Bahya and Atama linga puja in total).
A Shloka appearing in Bhagavata Purana (11-11-14) indicates the above details in its meaning by proper interpretation. In HIS own words, Bhagavan (Shri Krishna) enumerates the following eleven places / forms for HIS Puja.
"Suryognih brahmno gavo vaishnavah kham marujjalam
Bhuratma sarvabhutani bhadra pujapadani me".
1) Surya (the sun), 2. Homagni (sacrificial fire), 3. Brahma Jnani (Brahmana - One who has Knowledge of God), 4. Gow (cow) 5. Vishnu Bhakta (devotee of Vishnu), 6. Hrudayakasha (soul or one's heart), 7. Mukhya Prana (supreme of Vayus), 8. Jalam (water) 9. Bhumi (the earth), 10. Atma (ownbody) 11. Sarva Bhutani (all creatures)
Previously refered Shloka from Tantrasara Sangraha (1.44) also hidingly keeps and hints at all the above within its scope. Let us see how we can get at them.
1) Achale hridaye - Sun is the immovable symbol of God. In him the worship of Surya Narayana who is the real addressed Para Devata of Gayatri Mantra, as stated at Sooryamandalamadhyaga.... dhyeyah sadaasavitr mandalamadhya....
2) Chale api vaa hridaye - In the moving objects such as the sacrificial fire, the person who knows Brahma, the cow, the devotee of Vishnu, the water & the body. Worship of Bhagavan in these six forms is one of the methods.
3) Worshiping HIM in one's heart / soul or one's mind. This puja can be again of two varieties. i) When the Bhagavan's form could be held constantly within one's mind / heart or soul it is Dhyaana (meditation).
And ii) When it could not be held steadily in the mind but has to be recollected, revisualised intermittently, it is called DhaaraNa. - Khandasmrutih dhaarana syaat akhanda dhyaanamuchyate.
4) Hridaye (Repeat the Hridaye Word again) :- This indicates the Bhagavat Puja in Mukhya Prana, the Supreme Vayu who is the closest to and most intimately loved by the Bhagavan. This mode of worship is of the highest order and of the highest liking to God. This is why all the worships should start with saying - Bhaaratiramana mukhyapranaantargata.
Mukhya Prana is both static (immovable) and dynamic (movable) form of Bhagavan. This is hinted at Achale hridaye vaa api chale... Commanding force for the moving air (wind) in the space is one form of Mukhya Prana. This is moving form, Bhuta Vayu.
The other form of Mukhya Prana is that which controls Prana Vayu, Apanavayu etc, in our body. This is immovable form Prana Vayu.
5) Achale chale api vaa - Pooja of the Bhagavan residing in the souls / hearts of the moving & static antimated beings.
6) Kevalasthale - God's worship in mere earth / ground. This is 'Sthandial or mandala aradhanam'
Yadavendra in his commentary for this part of shloka of Bhagavata ( Sthandile mantra hridayaih) has said Sthandile bhuvi kritamandale means a mandala drawn on a prepared piece of ground for the purpose of worship.
Veera Raghava of Ramanuja siddhaanta also endorses this by saying - "Bhooshabdena chakrabjadimandala samskrito desho vivakshitah.
The Shiva manasa pooja by Sri Adi Shankaracharya is a unique stotra. It in in the form of a prayer by a devotee who imagines in his mind all the offerings and rituals prescribed in a pooja and offers them to lord Shiva with faith and devotion. This stotra is an eye opener to those who are fanatic about rituals as it clearly shows that faith and intentions are more important!
Ratnaih kalpitamaasanam himajalaih snaanam cha divyaambaram
Naanaaratnavibhuushhitam mrigamadaamodaankitam chandanam.
Jaatiichampakabilvapatrarachitam pushhpam cha dhuupam tathaa
Deepam deva dayaanidhe pashupate hritkalpitam grihyataam.h .. 1
I have imagined a throne of precious stones for you, cool water for you to bathe in, divine robes adorned with many jewels, sandalwood paste mixed with musk to anoint your body, jasmine and champaka flowers and bilva leaves, rare incense, and a shining flame. Accept all these which I have imagined in my heart for you, o merciful God.
Sauvarne navaratnakhandarachite paatre ghritam paayasam
Bhakshyam pajnchavidham payodadhiyutam rambhaaphalam paanakam.
Shaakaanaamayutam jalam ruchikaram karpuurakhandojjvalam
Taambuulam manasaa mayaa virachitam bhaktyaa prabho sviikuru .. 2
Sweet rice in a golden bowl inlaid with the nine jewels, the five kinds of food made from milk and curd, bananas, vegetables, sweet water scented with camphor, and betel leaves - I have prepared all these in my mind with devotion. O lord, please accept them.
Chhatram chaamarayoryugam vyajanakam chaadarshakam nirmalam
Veenaabherimridangakaahalakalaa giitam cha nrityam tathaa .
Saashhtaangam pranatih stutirbahuvidhaa hyetatsamastam mayaa
Sankalpena samarpitam tava vibho puujaam grihaana prabho .. 3
A canopy, two yak-tail whisks, a fan and a spotless mirror, a viinaa, kettledrums, a mridangA and a great drum, songs and dancing, full prostrations, and many kinds of hymns - all this I offer you in my imagination. O almighty lord, accept this as my worship of you.
Aatmaa tvam girijaa matih sahacharaah praanaah shariiram griham
Poojaa te vishhayopabhogarachanaa nidraa samaadhisthitih .
Sajnchaarah padayoh pradakshinavidhih stotraani sarvaa giro
Yadyatkarma karomi tattadakhilam shambho tavaaraadhanam.h .. 4
You are my self; Paarvatii is my reason. My five praanaas are your attendants, my body is your house, and all the pleasures of my senses are objects to use for your worship. My sleep is your state of samaadhii. Wherever I walk I am walking around you, everything I say is in praise of you, everything I do is in devotion to you, o benevolent lord!
Karacharana kritam vaakkaayajam karmajam vaa .
Shravananayanajam vaa maanasam vaaparaadham.
Vihitamavihitam vaa sarvametatkshamasva .
Jaya jaya karunaabdhe shriimahaadevashambho .. 5
Whatever sins i have committed with my hands, feet, voice, body, actions, ears, eyes, or mind, whether prohibited by the scriptures or not, please forgive them all. Hail! Hail! O ocean of compassion! O great god! O benevolent lord! .. 5
Thursday, 12 November 2009
Lalitha Sahasranamam - 96
Since Sakti cannot be worshipped in its essential nature, it is worshipped as conceived of in its manifestation, viz., creation, preservation and destruction. Sakti in relation to these three functions is Sarasvati, Lakshmi and Kaali. These, as is evident, are not three distinct Devis, but the One formless Devi worshipped in three forms. The Devas corresponding to these are Brahma, Vishnu and Mahesvara, who in the same way are not three Devas, but the forms of the one Supreme Deva who is formless.Sarasvati is cosmic intelligence, cosmic consciousness, cosmic knowledge. Worship of Sarasvati is necessary for Buddhi-Suddhi and Viveka-Udaya, Vichara Sakti, for Jnana or Self-realisation. Lakshmi does not mean mere material wealth like gold, cattle, etc. All kinds of prosperity, glory, magnificence, joy, exaltation or greatness come under Lakshmi. Appaya Dikshita calls even final Liberation as —Moksha-Samrajya-Lakshmi. Hence worship of Lakshmi means the worship of the central purpose of existence itself. Mahakaali is the transformative power of Divinity, the power that dissolves multiplicity in unity. The worship of Devi is, therefore, the explanation of the entire process of spiritual Sadhana in all its aspects.
In the early dawn of civilisation, the Hindu mind conceived of the symbol of the eternal Consciousness in the idolisation of the Mother Divine, which was a more appealing, comprehensible, filially close and intimate, emotionally satisfactory and domestically affable conception than that of a vague, formless, unqualitative, ungraspable, ethereal ideal that could be one’s goal and support of life.
All the world is gigantic imagination of the mind; says the Sruti. Yet, it has vivid, decisive and relatively substantial reality so far as one’s physical, emotional, intellectual and subconscious entities are concerned. Likewise, any concept featured out of imagination, enlivened by faith and devotion, and magnetised by concentration and meditation, can certainly have a physically substantial, mentally responsive, materially reciprocative, intellectually conceivable and spiritually transformative reality, which can have a far-reaching effect in the human life in its evolution towards Self-realisation.To bring in the realisation we have to turn to the texts which would help us understand and translate her divinity into our knowledge which will help us know her and glorify her deeds to help ourselves and to walk in her path towards self realisation.one such text which would help us is the devi Mahatmya.
There are three stages of transformation described in the three sections of the Devi-Mahatmya. The first one is where Adi-Sakti awakes Maha-Vishnu who was asleep, so that He may destroy or overcome the original demoniacal forces, Madhu and Kaitabha. The second stage is where the same Sakti manifests Herself as Maha-Lakshmi and overcomes Mahishasura and Raktabija. The third one is where Sumbha and Nisumbha are destroyed by Maha-Sarasvati. And the nine days of worship comprehend these three stages adored in three days of worship, each. The final victory is called Vijaya-Dasami , the tenth day, as you know. That is the day of Victory, where you master the forces of Nature completely and your goal is reached. When you step over nine, you enter into Infinity. Numbers are only nine, you do not have ten numbers. All the arithmetic is within nine numbers only. The whole cosmos is within nine. But when you transcend the nine, you have gone to Infinity, which is beyond cosmic relationship. The lower powers of Nature are like dirt. We call them Mala, ‘Vishnukarna-Malodbhuto Hantum Brahmanamudyato’ , says the Devi-Mahatmya. The Madhu and Kaitabha, two Rakshasas (demons) are supposed to have come out of the dirt of the ear of Vishnu. The lowest category of opposition is of the nature of dirt, Mala ; and psychologically, from the point of view of the seeking soul, this dirt is in the form of Kama, Krodha and Lobha . ‘Kama Esha Krodha Esha Rajo-guna Samudbhavah,’ ‘Kamah Krodhastatha Lobhah Tasmat Etat Trayam Tyajet’ —It is desire and anger born of Rajas ; desire, anger and greed, these three therefore should be abandoned,—says the Bhagavadgita. These three are the gates to hell. These three are regarded as dirt, because they cover the consciousness in such a way that it appears to be not there at all. It is like painting a thin glass with coal-tar. You cannot see the glass. It is all pitch-dark like clouds. This has to be rubbed off with great effort. When this Mala or dirt is removed, we get into another trouble. Do not think that when you are tentatively a master of Kama, Krodha and Lobha , you are a real master of yourself. “There are more things in heaven and earth than your philosophy dreams of, O Horatio,” said Hamlet. So do not think that your philosophy is exhaustive. There are many more things that philosophy cannot comprehend. Kama, Krodha and Lobha are not the only enemies. There are subtler ones, more formidable than these visible foes. As a matter of fact, the subtle invisible enemies are more difficult to overcome than the visible ones. Sometimes you know, an angry man is better than a smiling person. Smiling person is more dangerous than the angry one, because he can have a knife under his arm-pit. This is what we will face. When we manage somehow to overcome this Madhu and Kaitabha, Kama and Krodha , we get into the clutches of Mahishasura and Raktabija. They represent the Vikhepa Sakti , the tossing of the mind. Every minute the mind changes its forms which multiply in millions. You read in the Devi-Mahatmya, how Mahishasura changed his form. Now he is an elephant, now he is a buffalo, now he is something else. If you hit him in one form, he comes in another form. And this is your inexhaustible opponent. His energies are incapable of being exhausted. However much you may try to oppose the Vikshepa Sakti , it will manifest in some form or other. This is described in the form of the demon Raktabija, whose drops of blood were seeds of hundreds and thousands of demons like himself coming up. When the Devi severed the head of one Rakshasa, the blood fell on the ground profusely and from that blood, millions cropped up. And when She killed them, again another million cropped up. So there was no end for it. If you cut off one or two desires, the desire is not over. The root is still there. The branches are only severed. Unless the root is dug out, there is no use of merely severing the branches of the tree. So what did the Devi do? She asked Kali to spread her tongue throughout the earth, so that there is no ground at all for the Rakshasas to walk over. They had to walk over the tongue of Kali. So huge it was. And now the Goddess started cutting their heads and when the blood fell, it fell not on the ground but on the tongue of Kali. So she sucked everything. Chariots and horses and demons and everybody entered her mouth. She chewed all chariots into powder. So likewise, we have to adopt a technique of sucking the very root of desires and not merely chop off its branches. Otherwise, desires will take various forms like Mahishasura. When we think that Mahishasura has been killed, he comes as a buffalo and when the buffalo is attacked, he again comes as an elephant, and if Devi attacks the elephant, he comes as a bull and attacks Her. So, there is no way of overcoming these desires by merely dealing with them from outside by a frontal attack. Their very essence has to be sucked. Because, a desire is not an outward form or an action, it is a tendency within. You may do nothing, and yet you will have desires. Because, desire is not necessarily an activity. A desireful person need not be very active. He can be sitting quiet, doing nothing, saying nothing, and yet be full of desires. Because, it is a tendency of the mind, an inclination of consciousness, that we call a desire. That can be inside, even if there is outwardly nothing. This is the Vikshepa Sakti ,—distraction, tossing and the chameleon-attitude of desire,—which attacks us, when, with Herculean efforts, we try to destroy or gain control over Kama and Krodha , Madhu and Kaitabha. After Madhu and Kaitabha, we get Mahishasura and Raktabija. Thus Mala and Vikshepa are the primary oppositions in our spiritual pursuit.
Ancient masters have told us that while Mala or dirt of the psychological structure can be removed by Karma Yoga , by unselfish and dedicated service, Vikshepa or distraction of the mind can be removed only by worship of God, by Upasana . While Karma removes Mala , Upasana removes Vikshepa . But even now, we are not fully safe. While Mala might have gone and Vikshepa is not there, we may have a third trouble, namely, a complete oblivion of consciousness. We will have no knowledge of anything as to what is happening. Ajnana or Ignorance is a subtler opposing power than its effects in the form of Mala and Vikshepa . Distraction and direct sensual desires are the outer expressions of a subtle ignorance of Truth, Avidya or Ajnana . Why do we desire things? Because, we do not know the nature of Truth. Why does a strong wind blow? Because, the sun is covered over with clouds. The sun is covered by the clouds first, then there is darkness and then a gale, cyclone starts blowing from the north, breaking your umbrellas and uprooting trees. All these happen because the sun does not shine. Even so, when the Atman is covered over by ignorance of its nature, the winds of desire begin to blow, and they come like violent storms. Impetuous is the force of desire. You cannot stand against it, because the whole of Nature gets concentrated in a desire. That is why it is impetuous and uncontrollable. All the powers of Nature get focussed in a desire when it manifests itself, whatever be that desire. So the whole of Nature has to be subdued. You are not to subdue only your individual nature, but the cosmic Nature itself is to be subdued. This is what is depicted in the Epic of the Devi-Mahatmya. It is the subdual, overcoming, transformation of the cosmic Nature in the form of Tamas, Rajas and Sattva . While Mala represents Tamas, Vikshepa represents Rajas .
Now, Sattva is also a Guna , unfortunately. We always praise Sattva and regard it as a very desirable thing. But it is like a transparent glass that is placed between us and the Truth. You can see through it, but you cannot go beyond it. Because, though the glass is transparent, it can obstruct your movement. It is not like a brick-wall, completely preventing your vision, as Tamas does; it is not like a blowing wind which simply tosses you here and there, as Rajas does; it is a plain glass, through which you can have vision of Reality, but you cannot contact Reality nevertheless. How can you contact a thing when there is a glass between you and the thing? Yet you can see it. So they say even Sattva is an obstacle, though it is better than the other two forces, in the sense that through it you can have a vision or an insight into the nature of Reality which transcends even Sattva . There is a glass pane and you can see a mango fruit on the other side of it. You can see it very well, but cannot get it, you cannot grab it. You know the reason. Even Sattva is a subtle medium of obstruction, which acts in a double form; as complacency or satisfaction with what has been achieved, and an ignorance of what is beyond. These two aspects of Sattva are indicated by the two personalities of Sumbha and Nisumbha. They have to be dispelled by the power of higher wisdom, which is Maha-Sarasvati.
Action, contemplation and knowledge are the three stages through which we have to pierce through the veil of Prakriti or three Gunas . And as I mentioned earlier, we are not individual pedestrians on the path. There is no individual movement here. It is all a total movement of everything connected with us and no item in the world is really disconnected from us. Every thread in a cloth is connected with every other thread. When you lift one thread of a cloth, the whole cloth comes up, because of the interconnection of the warp and the woof of the cloth. Likewise, there is an internal interconnection of beings, which prevents any kind of individual effort for the sake of salvation. That is why salvation is universal, it is not individual. When you attain to the Supreme Being, you become the Universal Being. You do not go as a Mr. So and So or as a Mrs. So and So, there. So the path of Sadhana also is a cosmic effort of the soul, a subtle secret which most Sadhakas are likely to forget. It is not a small, simple, private effort of yours in the closet of your room, but a dynamic activity of your essential personality, internally connected by unforeseen relationships with everything in the cosmos. When you enter the path of the spirit, you have also at the same time entered the path of cosmic relationship. A Sadhaka is, therefore, a cosmic person. A spiritual seeker, an aspirant is a representative of cosmic situation. He is not an individual, though he looks like a person, and his Sadhana is not an individual effort. It is much more than what it appears to be on the surface. It is, as it were, the conversation between Nara and Narayana , Krishna-Arjuna-Samvada, as they call it. You and your God are face to face with each other. In Sadhana, in spiritual effort, you are face to face with your Maker. And the face of the Maker is universal. He is not in one spot, hiding himself in one corner.
So, the dance of the cosmic spirit, in its supernal effort at self-transcendence, is majestically described in the beautifully worded sonorous songs of the Devi-Mahatmya, where we are given a stirring account, a stimulating description of what Maha-Kali did, what Maha-Lakshmi did and Maha-Sarasvati did in bringing about this evolution, transformation of the whole range of Prakriti from Tamas to Rajas , from Rajas to Sattva and from Sattva to Supreme Vijaya , mastery in the Absolute, God-realisation. All our scriptures, Puranas and Epics, all our ceremonies and celebrations, all our festivals and Jayantis, whatever be the occasion for a religious performance, all this is charged with a spiritual connotation, a significance which is far transcendent to the outer rituals which is involved in their performance. Every thought, every aspiration, every ritual and every duty of ours, every action that we perform automatically becomes a spiritual dedication of the Soul, for the sake of this one single aspiration which it has been enshrining in itself from eternity to eternity. This significance is brought out in all our Epics and Puranas. Whether in the Mahabharata or the Ramayana, whether in the Bhagavad Gita or the Devi-Mahatmya, they tell us the same account in different terminologies and with different emphases. It is always a song of the soul. The Bhagavad Gita is a song of the soul, the Over-Soul speaking to the lower soul. Here again, we have a similar account of the actual Sadhana involved in the realisation of this ultimate harmony of the soul with the Over-Soul. The spiritual practice of a Sadhaka is, therefore, a confronting of the three forces of Tamas, Rajas and Sattva , gradually, stage by stage, in their cosmic significance, forgetting not for a moment that we are not ‘islands’. No man is an island. You must have heard the poet’s saying: “A man is not an island.” That means he is not surrounded simply by oceans and cut off from things. He is connected with everything. This is the significance we have to read in our practical lives. This is the meaning we have to see and visualise in our personal Sadhana. And when we learn to see the significance of the presence of divinity or the universality of God even in our private actions, we are taken care of by universal forces. We need not bother about even the smallest problem of our life. Even the littlest of our difficulty will be taken care of in a proper manner by the forces that are in the world, provided , of course, that we are able to read the significance of universality even in the most private of our actions, even in the smallest and littlest of our actions. There is no such thing as a little action in the world. Everything is important. Even the most insignificant event is a very important event, ultimately. Because, hidden behind it is the ocean. So, the first thing is to remember that the Goal of Life is God-realisation. Do not forget this. The little petty tensions and turmoils and annoyances and worries and vexations are not the goal of life. They are the obstacles that come on our way, which we have to carefully obviate and go with caution, like a pilgrim who has lost his way in this wilderness of life, and yet confident at the same time that the warmth of the spiritual sun is always energising our personality and that we are never, at any time, any moment of our practice, completely cut off from that source of energy.
So, through the worship of Maha-Kali, Maha-Lakshmi, and Maha-Sarasvati, we worship Mula-Prakriti, Adi-Sakti in her cosmic dance-form of transformation, prosperity and Illumination. In the beginning, what happens to a Sadhaka? There is a necessity of self-transformation. It is all hardship, rubbing and cleaning, washing, sweeping, etc. That is the first stage through the worship of Maha-Kali, who brings about a destruction of all barriers. Then what happens? There is tremendous prosperity. You become a master and a progressive soul commanding all powers, getting everything that you want. This is the second stage. In the first stage, it looked as if you were a poor person, having nothing, very weak. But, when you overcome this weakness, by removing the barrier of Tamas , you become prosperous. Nobody can be as rich as a Yogi, you know. He can command all the powers. By a thought he can invoke all things, and this is Goddess Maha-Lakshmi working. When Maha-Kali has finished her work of destruction of opposition, Maha-Lakshmi comes as prosperity. A great Yogi is also like a royal personality, because of his internal invocations, though unconsciously done, of cosmic powers. When prosperity dawns, it looks as if the whole universe is a heaven. In the first stage, it looked like a hell. Afterwards, in the second stage, it looks like a heaven, when Maha-Lakshmi begins to work. But this also is not sufficient. Knowledge should dawn. It is not heaven that you are asking for. You want the realisation of Truth. Sarasvati will come for help and a flood of light on Truth will be thrown and you will see things as they are. There is no enjoyment, prosperity, richness, wealth or any such thing. It is Truth unconnected with yourself in the beginning, but later on inseparable from yourself. Thus, from opposition to prosperity, from prosperity to enlightenment, and from enlightenment to Self-realisation do we proceed. So, these are the truths esoterically conveyed to us in the Mantras of the Devi-Mahatmya.
Now, this Devi-Mahatmya is not merely an esoteric Epic. It is not only a great spiritual text in the form of occult lessons, occult teachings of which I have given you an outline. But, it is also a great Mantra-Sastra . Every sloka , every verse of the Devi-Mahatmya is a Mantra by itself. I will tell you how it is a Mantra, by giving only one instance, that is the first sloka itself. ‘Savarnih suryatanayo yo manuh Kathyate-shtamah . This is the first sloka, Savarnih Surya-Tanayah . It is all a Tantric interpretation and a very difficult thing to understand. But I am giving you only an idea as to what it is all like. Surya represents fire, the fire-principle. ‘Surya-Tanaya’ means that which is born of the fire-principle. What is it that is born of the fire-principle? It is the seed ‘Ra’ . According to Tantric esoteric psychology, ‘Ram’ is the Bija Mantra of Agni. In the word Savarnih, ‘varni’ means a hook; so add one hook to ‘Ram’. Yo Manuh Kathyate, ashtamah . Eighth letter—What is Manu ? It is a letter in Sanskrit. Eight letters are Ya, Ra, La, Va, Sya, Sha, Sa, Ha . The eighth is Ha . Add Ha to it. Ha, Ra and one hook, make ‘Hreem’ . Savarnih Suryo-Tanayo Yo Manuh Kathyateshtamah, Nisamaya Tadutpattim ,—you hear the glory of that, the sage says. So, the first verse means: “Now, I shall describe to you the glory of ‘Hreem’ .” This Hreem is the Bija of Devi. But, outwardly it means, “Listen to the story of the king so and so, who is the eighth Manu” and all that. Thus in addition to the outer meaning, there is an inner significance of the Mantra. I am giving you only the case of one Mantra. Like this, every Mantra is full of inner significance. And every Mantra is repeated by devotees for some purpose or the other. Especially, the Devi-Mahatmya is recited for averting calamities in life. Catastrophies, calamities and tensions, personal or outward, whatever they be, all these are averted by a regular daily recital of the Devi-Mahatmya. When there is war threatening a country, for example, or pestilence or epidemic spreading everywhere, or any internal tension or anxiety of any kind, the Devi-Mahatmya is to be studied and it is a very potent remedy prescribed by seers of yore, not only for temporal terrestrial prosperity, but also for the glory of the hereafter, for illumination, for the destruction of Avidya or Ajnana , for overcoming Mala, Vikshepa and Avarana , and to be a fit recipient of the grace of the Almighty.