the fulfiller of desires Omniscient.
Monday, 31 August 2009
Lalitha Sahasranamam - 63
the fulfiller of desires Omniscient.
Sunday, 30 August 2009
Lalitha Sahasranamam - 62
lovely eyed.
Saturday, 29 August 2009
Lalitha Sahasranamam - 61
Residing in the centre of the ocean of nectar.
Here the nectar is referred to the love and devotion of her people.It is referred thus because of the type worship her people indulge in,it is sweet as honey and it gives her immense pleasure to be bathed in such devotion.This devotion and love for her is otherwise known as bakthi.Now what is bhakthi?Strictly speaking,bhakthi is not mere love or devotion but a combination of several concepts.It is a powerful emotion of the mind,that is both earthly and transcendental,an overt sign of the highest nature hidden in us and the possibilities that await us as we make progress in our onward spiritual journey.It is characterized by faith,love ,trust ,loyalty,devotion,attachment and reverence manifested towards oneself a thing or an external entity such as God or teacher,parent or some loved being or even to oneself.while excessive devotion to oneself and ones interests leads to the strengthening of the asuric nature,pure and selfless devotion to God leads to salvation and eternal life.
In spiritual terms bhakthi means intense spiritual love and devotion to God.It helps a devout person satisfy his or her spiritual needs without following an ascetic way of life.Hindu scriptures extol bhakthi -marg or the path of devotion as one of the surest and easiest ways to reach God.
When we talk of bhakthi there are four types of devotees:The man in distress(arta),the inquisitive(jignasu),the seeker of wealth(artharhti)and the man of wisdom.I don't have to mention which of them she prefers to be dear to her.
We have seen different types of devout,now let us see the types of bhakthi.On one extreme is the purest form of satvic(selfless)devotion that tends to be sacrificial and selfless in nature and leads to the liberation of its practitioner and his or her union with god.Next is the rajasic(egoistic)form of devotion that seeks to use devotion as a means to gain some physical,mental or spiritual power or boon in order to further ones own egoistic interests or selfish motive.on the other extreme is the dark and tamasic(deluded,psychotic)devotion that indulges in cruel and bizarre practices such as human or animal sacrifices and dark tantric rituals that aim to appease the objects of their devotion and gain control over things or cause intense pain and suffering to others in the most abominable,cruel and destructive manner.
In the Bhakthisutras,sage Narada describes bhakthi thus:
That is highest love,that is like amrit,finding which a person becomes perfect,becomes immortal,becomes satisfied,finding which,he desires nothing more,neither greives,nor hates,neither engages and not gets enthusiastic about anything else,having known which,e becomes as if drugged,lost as if,stunned,suprised,and dwells in his own self.By nature bhakthi is free of desire,possessing the nature of unconcern towards wordly affairs,exclusive devotion toward that (god)and unconcern toward any thing that contradicts it,giving up of other shelters,and exclusively taking the shelter of god.Even when interacting with this world,or conducting wordly affairs,living according to god and having unconcern toward anything that contradicts god.
In the Mahabhagavatam,we hear description of five forms of bhakthi from prahlada,
Shravanam: Listening to stories and glories of God
Kirtanam: Singing or reciting the names and glories of God
Smaranam:Recalling God and his exploits
Pada sevanam:Waiting on God
Archanam:Ritual worship of God's forms or images
Vandanam:Prostration to God
Dasyam:Service to his personality or incarnation
Sakhyam:Befriending God
Atma nivedanam:dedicating oneself to god heart and soul.
The nine primary activities of Bhakthi are:
- Hearing about God-singing and chanting and hearing stories from scriptures
- Gloriying God-describing God's all attractive features
- Remembering God-internal meditation on the god's form,activites,names or personality
- serving the lotus feet of god-providing a form of physical service
- worshiping the Lord-deity worship
- offering prayers to god-any form of prayer in any language
- serving God-this is by preaching and sharing experiences with othersand it should never be confided to oneself.
- Building friendship with god-having an internal,loving relationship with god.
- surrendering everything to god-surrendering one's thought,actions and deeds.
These are few things we have to bear in mind when we offer our bhakthi to Maha Maye and the word amrit is used because before we bathe her in the amrit of our devotion we have to cleanse ourselves of the poison such as greed ,jealous,ego which is what is very nicely discussed here and that is what is implied by the term SUDHASAGARAMADHYASTHA
Friday, 28 August 2009
Lalitha Sahasranamam - 60
She is living in a groove of kadamba trees
Thursday, 27 August 2009
Lalitha Sahasranamam - 59
She resides in the great forest of lotuses.
The lotus leaf is often allegorically used in the Hindu scriptures. The flower though thrives in water, its leaf never gets wet. This symbolises the nature of a Jnani or a realised person who is ever blissful, untouched by the sorrows and the changes which is characteristic of the world.
Wednesday, 26 August 2009
Lalitha Sahasranamam - 58
so in short we can say:The Four Hands - Brahmā's four arms represent the four cardinal directions: east, south, west, and north. The back right hand represents mind, the back left hand represents intellect, the front right hand is ego, and the front left hand is self-confidence.
The Rosary - Symbolizes the substances used in the process of creation.
The Book - The book symbolizes knowledge.
The Gold - Gold symbolizes activity; the golden face of Brahmā indicates that He is actively involved in the process of creating the Universe.
The Swan - The swan is the symbol of grace and discernment. Brahmā uses the swan as a vehicle.
The Crown - Lord Brahmā's crown indicates His supreme authority.
The Lotus - The lotus symbolizes nature and the living essence of all things and beings in the Universe.
The Beard - Brahmā's black or white beard denotes wisdom and the eternal process of creation.
The Four Faces - The four vedas (Rig, Yajur, Atharva, and Sāma).
"He who has no understanding, who is unmindful and always impure, never reaches that place, but enters into the round of births. But he who has understanding, who is mindful and always pure, reaches indeed that place, from whence he is not born again. But he who has understanding for his charioteer (intellect), and who holds the reins of the mind, he reaches the end of his journey, and that is the highest place of Vishnu."
Next is Shiva is also referred to as Rudra.He symbolises yoga.He is depicted as an ascetic Yogin Depicted as a yogin, he is shown sitting and meditating. His epithet Mahāyogin ("the greatyogi= Mahā = "great", Yogin = "one who practices yoga") refers to his association with yoga.While vedic religion was conceived mainly in terms of sacrifice, it was during the epic period that the concepts of tapas,yoga and asceticism became more important, and the depiction of Shiva as an ascetic sitting in philosophical isolation reflects these later concepts. The Hindus often worship shiva in the form of lingam to stress that he is the yogic posture all the time and the shape of the lingam is the yogic posture which helps us to meditate.
Also called Brahma-randhra, it is the meeting place of Kundalini Shakti and Shiva. Immortalityis achieved within Sahasrara Chakra. Before attaining to this chakra the yogi is unableto reach the unconscious conscious state called asama-prajnata-samadhi.
In this state there is no activity of the mind and no knower, no knowledge, nothing to be known:knowledge, knower, and known all become unified and liberated.
When the Kundalini is raised up to Sahasrara chakra, the illusion of individual self is dissolved.The yogi becomes realized, one with the cosmic principles that govern the entire universe within the body.Samadhi is the pure bliss of total inactivity. Up to the sixth chakra the yogi may enter a trance in which activity or form still remains within the consciousness. In Sahasrara Chakra the prana moves upward and reaches the highest point. The mind establishes itself in the pure void of Shunya Mandala, the space between the hemispheres.
At this time all feelings, emotions and desires, which are the activities of the mind, are dissolved into their primary cause. The union is achieved. The yogi is sat-chit-ananda, truth-being-bliss.
Tuesday, 25 August 2009
Lalitha Sahasranamam - 57
She who resides in a house built of Cintamani jewels.
They have yet to "be their own person," "find their own space." They must first close the door on channeling asuric entities. Once firmly planted on the anava marga, they begin feeling that they are God's gift to the world and may seek out a spiritual teacher. If the teacher does teach them karma yoga and bhakti yoga, they begin to realize that there are forces in the universe, souls in the universe, who are much greater than they are now or will ever be for a long time. Once this happens, the die is cast. They are on the spiritual path to their own eventual enlightenment.
Wise gurus will not initiate anyone into raja yoga techniques who does not have a sweet nature and a natural outpouring of bhakti. No one auditions for the symphony orchestra until he has mastered all that his first, second and third music teachers have taught him.
Suppose a devotee who is not virtuous is taught an intense raja yoga meditation and practices it ardently over a long period of time until a burst of light is seen. Then the devotee, now feeling quite above others, argues with his parents, or flashes out in anger when talking to a friend. At that moment, all the good merit and benefits of the raja yoga awakening are erased. This is because the prana of higher consciousness has been dissipated by the angry words, which now burn deeper into the mind of others than they would have before. No, a kindly, gentle nature must precede raja yoga sadhanas. That is for sure.
Bhakti is the base and the bedrock of spiritual unfoldment. A devotee who has an amiable nature, who is a good, considerate and giving person, is obviously a bhaktar. The disciplines of bhakti yoga make one a devotee, and a devotee is a very selfless type of person. These disciplines can take many forms, but the fruit of bhakti yoga, which is a loving disposition, must be attained before one can go further on the path with security. The proof is in the actions and attitudes of the individual. If he really sees God in and through all things, how can he not be a bhaktar? If he truly understands the law of karma, he cannot possibly resent any happening. He knows that the experiences of today were created in the past. He truly knows that today's actions mold the experiences of a future time. Yes, bhakti yoga is the bedrock of all minor and major enlightenments. Devotees who are very kind people, devotional, obedient, intelligent, will fulfill whatever assignments their guru gives -- be it a pure advaitic path, the raja yogas or the path of karma yoga.
Monday, 24 August 2009
Lalitha Sahasranamam - 56
Ruler of the Beautiful city.
Five downward pointing triangles representing Devi intersect with four upward pointing triangles representing Siva, forming 43 triangles including the central triangle..
From the five Shakti triangles comes creation and from the four Shiva triangles comes the dissolution. The union of five Shaktis and four Fires causes the chakra of creation to evolve.
At the centre of the bindu of the Shri Yantra is Kamakala, which has three bindus. One is red, one is white and one is mixed. The red bindu is Kurukulla the Female form, the white bindu is Varahi the Male form, and the mixed bindu is the union of Shiva & Shakti - the individual as the potential Shri Cakra. Varahi, the father-form, gives four dhatus to the child and Kurukulla, the mother-form, gives five dhatus to the child. Theses represent the nine dhatus of the human body.
Varahi’s four fires are the 12 (4 x 3) sun Kalas, the 12 Zodiac constellations. Kurukulla’s five triangles are the 15 (5 x 3) Kalas of the moon, 15 lunar Tithis. These nine triangles also represent the nine stages of growth of the human child in the womb.
Surrounding the 43 triangles formed by the intersection of the nine triangles is the 16 petals circle. Surrounding the 16 petal circle is an 8 petal circle. After that the 3 lines and at the outermost part of the Sriyantra there are 3 lines called the Bhupura. The 43 triangles constitute the six inner sections called Avaranas, the two circles of petals are two more avaranas and the Bhupura of 3 lines is the last Avarana.
These 9 Avaranas of the Sri Yantra have various presiding Devis. They are the Devi’s Parivar (retinue) of total 108. In the Srichakra pooja they are systematically worshipped one by one with their names and mantras. The presiding Deity of Srichakra, Devi, is Known as Lalita Tripura Sundari. The form of Devi Kamakshi of Kancheepuram is the closest resemblance of the Devi as described in the scriptures.
The Meru Chakra or Sri Chakra is a three-dimensional Shri Yantra, the embodiment of Sri Lakshmi (abundance) and Tripura Sundari (beauty). It is the yantra of Sri Vidya, sacred knowledge of the Goddess. It can also be seen as the unification of Masculine Divine and Feminine Divine: Shiva and Shakti, Lakshmi and Narayana, Purusha and Prakriti. It can be effectively used for correcting defects of the north (direction of health, fortune, career, and money) and northeast (energetically the most sacred and important area of any building). When placed in the northeast, it improves the spatial energies of the whole house. Defects in the northeast and north are the most serious, so the Meru Chakra is a valuable corrective tool of Vedic yantra technology. Even if your home or office has been built according to Vastu, the Gold Meru Chakra is a great energetic blessing that enhancesthe flow of vibrant energy of health and abundance.
The outermost is a square Chaturasra of three lines, the lines one inside the other,opening out in the middle of each side as four portals. This is known as the Bhupura, the earth-stretch. This is the ground-plane if Sri Chakra is considered as graded elevations, Meru.Through the portals in the Bhupura one enters the precincts. Immediately inside the square are three concentric circles which serve as three girdles trivalaya.The space between the sides of the square and the circumference of the outermost circle, between Bhupura and Trivalya, is known as Trailokya Mohana Chakra, the Enchanter of the Triple World.Inside the 3 girdles are:
1st Avarana the outer square with three lines and 4 gates is brown. The outer line is white (though the colour of the 10 deities here is like molten gold), the middle line is orange red like the rising sun and the inner line is yellow like the colour of butter.
It could be worshiped once a year, periodically, or on special occasions like Navaratri or daily or when ever one likes.
Sunday in conjunction with Pusya Star, one’s own Guru’s birthday, the day of one’s own birthday, Astami (the 8th day of the bright half or\f the moon), or the 14th day of the bright half of the lunar month. Friday in conjunction with full moon day is very special.
Sri Chakra can be drawn on paper with pen and ink, or on the floor or plank, bark, or coloured flour to turmeric, kumkum, ashes of yajna and consigned to the river or sea, after the puja is done.
SriChakra can be drawn on gold, silver, copper leaf or plate. One drawn on a plate made of five metals are considered very powerful. The metals are gold, silver, copper, brass, and tin.
SriChakra can be used to meditate on it own or with other deities.
SriChakra drawn on a plate, foil or disc or gold, silver, copper or any other material can be worn on a person as talisman.
Sri Chakra is to be always kept flat to the ground and not upright or slanting, except when used as a talisman or as a ear-ring or a ring. It should never be used as a wall hanging. SriChakra is the most calm, harmless, genteel and non aggressive of all the yantras.
Sunday, 23 August 2009
Lalitha Sahasranamam- 55
Dwelling on the middle peak of Mount Sumeru
Both Meru and Kashmir have been mentioned in the epic. It is difficult to say the area of ancient Kashmira pura, a region in that period. Anyhow, the region retained the name Kashmir, though its area might have been reduced significantly. Possibility exists that Meru might be within the ancient Kashmir region in ‘puranic’ times (at the time these puranas were written). So the presence of meru and the beauty of landscape gives us an opportunity to understand her powers and the affection she has for mankind.
Saturday, 22 August 2009
Lalitha Sahasranamam- 54
"AMANGALYAM SHEELAM TAVABHAVATU NAMAIVAMAKHILAM
Meaning : It is famous in the whole world that Lord Shiva is inauspicious, but a giver of all kinds of auspiciousness. Nevertheless, He is the giver of all kinds of auspiciousness for those who remember him. This virtue is because of Parvatis presence with him.Thus acting on the principle :
"NARYASTU YATRA PUJYANTE RAMANTE TATRA DEVATAH"
That is where the womenfolk is worshipped, the gods stays there, Lord Shiva preaches the same to his devotees, that if they respect woman, all the inauspiciousness all the hurdles, would be removed automatically.
Friday, 21 August 2009
Lalitha Sahasranamam - 53
She who is the personification of Shiva.
Thursday, 20 August 2009
Lalitha Sahasranamam - 52
She is sitting on the lap of Siva'Kama' here it means Desire or that which is desired.
Wednesday, 19 August 2009
Lalitha Sahasranamam- 51
She is adorned with every ornament.
Also, only at the age of 7 the kidney bladder starts functioning and till then the bladder doesn't grow fully. Another most important factor is that human beings brain/memory cell expansion too begins at the age of 7 only. That's why one cannot remember clearly what took place during the age of 4/5/6 but can mostly remember things after 7 years of age!So let us see the next precious item called Bangles. Normally the wrist portion is in constant activation on any human. Also the pulse beat in this portion is mostly checked for all sort of ailments. Even though, pulse beat is counted from the wrist, the heart beat ratio too, is taken for checking one's health conditions. The Bangles used by women are normally in the wrist part of ones hand and its constant friction increases the blood circulation level. Further more the electricity passing out through outer skin is again reverted to one's own body because of the ring shaped bangles, which has no ends to pass the energy outside but to send it back to the body. This way a women gains her strength which is presumably wasted otherwise. So the ancient Hindus gave shape to this item called Bangles and later it got molded in to many shapes and designs to add more attraction and beautification.The next item is a piece of stead-like ornament worn by women in their nose, commonly known as nose-ring and nose stead. Though it is mainly used for beautifying women, the in-depth meaning can't be termed as unfound myth. It is considered as a breath regularizing and some say it is just to eliminate the poison coming out while exhaling carbon.
Sutti (Used in the forehead)
Rakkadi (used in the backhead, hair design, to hold the bunch of lengthy soft hair spun and tied)
Kanganam (armband).
Kaarai
Vangi
Addigai (Belt strap ornament)
Kattuvanam
Kaasi Malai (made of coin shaped necklace)
Jadanagam (used to tie the hair band from back side)
Nagothu
Tholvalai Kappu (used in the shoulder to hold the sari)
Batti
Besari (A stead in gold with stone studded Nose stud or ear stead with a hanging design)
Nagar or Nagam (A cobra shaped ornament used the upper arms)
Surya & Chandra Pirai (Sun & Moon shaped ornamental jewel used to decorate their forehead)
Bullakku (A designer jewel worn in the that hangs from the nose stead or ear stead)
Thandai (a jewel made of Silver worn in the ankle with some precious stone studded from inside of the jewel, like a pipe-shape ring that weights heavy)
Salangai (A jewel made in silver with a series of small silver bells and worn in the anklet - Mostly used by classical & Bharathanatyam dancers)
Maattal (A chain shaped jewel used to hook in the hair from the ear ring stead or nose stead)
Lolakku - A designer jewel that hung from the ear stead.
Jimikki - A designer jewel that hung from the ear stead.
Bullakku - A designer jewel that hung from the nose stead.
Gajjal
Aranaal (a silver made item, a chain shaped one used along with inner side of sari at hip level)
Kodi Malai - A chain made in the shape of leaves and plants of soft designs in plain gold.
Silambu - A ring shaped jewel in a pipe mode within the pipe they used to contain precious Pearl, silver balls, coral beeds etc.( Oh, a history was created by Kannaki, using the Silambu with Pearl Beeds; Kannaki burnt the town Madurai with her inimical power to prove her husband is innocent. A chapter dealing with Silambu is known as Silappathikaram in Tamil!)All these ornaments are used for beautification of the women and it is also an investment which can be encashed in trouble times.
Tuesday, 18 August 2009
Lalitha Sahasranamam (46-50)
Her lotus feet are adorned with jeweled anklets which tinkle
There are five stages of Rupa-Dhyana or meditation on the true forms of things, viz., (a) removal of stupor by reasoning or Vitarka; (b) removal of doubt by discrimination or Vichara; (c) removal of aversion by compassion or Karuna; (d) removal of distraction or worry by contentment or Mudita; (e) removal of sensuous desire by one-pointedness or Ekagrata.
Except the thought of thee.
But I request you, oh mother,
Who has the sweet cane as her bow,
And five flowers as arrows,
To be like the mother on earth,
Who has the softest feet,
Pardon and love,
But not to punish for mistakes great,
Their sons, whom they fed their milk.
Namo vakam broomo nayana ramaneeyaya padayo
Her gait is like that of a swan
She is a treasure house of beauty
When thou saw me oh my mother,
And decided in your wish divine,
To rule my mind and made me,
Know thine divine grace.
How lucky I am,
Mother, who is the daughter of mountain great,
And red eyed Vishnu’s sister of gold.
She is all rosy hued . i.e her garments,jewels, flowers and etc are all rosy hued
Her limbs are faultless.
The Maiden represents youth, emerging sexuality, the huntress running with her hounds. The Mother symbolizes feminine power, fertility, and nurturing. The Crone is wisdom, the compassion which comes from experience, and the one who guides us through the death experience. she is everywhere and this is illustrated as one looks into history and finds the names of goddess in different regions.for eg.Goddesses have been called by many names by different cultures and ages: Anat, Aphrodite, Aradia, Arianrhod, Artemis, Astarte, Brighid, Ceres, Demeter, Diana, Eostre, Freya, Gaia, Hera, Ishtar, Isis, Juno, Kali, Lilith, Ma'at, Mary, Minerva, Ostare, Persephone, Venus, Vesta, etc. proving therefore her existence everywhere in different forms.the same view is expressed in soundarya lahiri thus:
Monday, 17 August 2009
Lalitha Sahasranamam(41-45)
Her calves are like the Sapphire studded quiver of the god of love
With hidden ankles
Her instep is arched like the back of a tortoise
Her bright rays from her nails dispels the ignorance/darkness(tamo guna) form the mind of her devotees.
So attain liberation by holding her feet and singing her praises as seen in soundarya lahiri
The soles of her feet are so beautiful that they put to shame the lotus.